{"id":21385,"date":"2022-01-04T14:39:47","date_gmt":"2022-01-04T14:39:47","guid":{"rendered":"http:\/\/www.uwb.edu\/?p=21385"},"modified":"2023-06-08T21:04:05","modified_gmt":"2023-06-08T21:04:05","slug":"borsuk-and-chen","status":"publish","type":"post","link":"https:\/\/www.uwb.edu\/ias\/news\/2022\/01\/04\/borsuk-and-chen","title":{"rendered":"Amaranth Borsuk and Ching-In Chen publish new work in <em>Interim<\/em>"},"content":{"rendered":"\n<figure class=\"wp-block-image aligncenter size-full\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/borsuk-and-chen.jpg\" alt=\"borsuk and chen\" class=\"wp-image-24125\"\/><figcaption class=\"wp-element-caption\">Amaranth Borsuk and Ching-In Chen<\/figcaption><\/figure>\n\n\n\n<p>IAS faculty members <a href=\"\/ias\/faculty-and-staff\/amaranth-borsuk\">Amaranth Borsuk<\/a> and <a href=\"\/ias\/faculty-and-staff\/ching-in-chen\">Ching-In Chen<\/a> each have new work in Interim: A Journal of Poetry &amp; Poetics 38.4, a special issue guest edited by Ronaldo V. Wilson. Of the issue, <a href=\"https:\/\/www.interimpoetics.org\/384\/\" target=\"_blank\" rel=\"noopener\">Black 足彩app哪个是正规的 [Or] Y: Praxis, Sum Unknown<\/a>, Wilson writes:<\/p>\n\n\n<?xml encoding=\"utf-8\" ?><blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" viewbox=\"0 0 31.93 23.66\" width=\"34\">\n  <path fill=\"currentColor\" d=\"M19.94 23.655h11.988V12.578h-6.6a6.63 6.63 0 0 1 .662-3.486 8.55 8.55 0 0 1 5.721-4.722V.001a14.8 14.8 0 0 0-8.687 4.768q-3.089 3.606-3.089 9.994v8.893Zm-19.938 0H11.99V12.578h-6.6a7.5 7.5 0 0 1 .631-3.575q1.47-3.277 5.763-4.633V.001a14.54 14.54 0 0 0-8.771 4.788c-2 2.427-3.008 5.781-3.008 9.974Z\"><\/path>\n<\/svg><p>&#8220;my hope was to center, by way  of open invitation, Barbara Christian&rsquo;s call for a mode of 足彩app哪个是正规的ory, which for me is 足彩app哪个是正规的 [or] Y&mdash;emphasis on the &ldquo;or,&rdquo; the Y axis, the vector,  a range that spreads across and towards an alternative nexus of theory where generative praxis becomes possible among &ldquo;people of color,  feminists, radical critics, creative writers&hellip;for whom literature is not&hellip;discourse&hellip;but necessary nourishment for their people and one way by  which they come to understand their lives better.&rdquo;&#8221; <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" viewbox=\"0 0 31.93 23.66\" width=\"34\" style=\"transform:rotate(180deg);transform-origin:center\">\n  <path fill=\"currentColor\" d=\"M19.94 23.655h11.988V12.578h-6.6a6.63 6.63 0 0 1 .662-3.486 8.55 8.55 0 0 1 5.721-4.722V.001a14.8 14.8 0 0 0-8.687 4.768q-3.089 3.606-3.089 9.994v8.893Zm-19.938 0H11.99V12.578h-6.6a7.5 7.5 0 0 1 .631-3.575q1.47-3.277 5.763-4.633V.001a14.54 14.54 0 0 0-8.771 4.788c-2 2.427-3.008 5.781-3.008 9.974Z\"><\/path>\n<\/svg><\/p>\n<\/blockquote>\n\n\n\n<p>足彩app哪个是正规的 issue contains video, audio, text, and performance, including, &#8220;<a href=\"https:\/\/www.interimpoetics.org\/384\/amaranth-borsuk-and-terri-witek\" target=\"_blank\" rel=\"noopener\">W \/ \\ S H: Score for Two Worlds<\/a>,&#8221; by Amaranth Borsuk and Terri Witek, and &#8220;<a href=\"https:\/\/www.interimpoetics.org\/384\/ching-in-chen\/\" target=\"_blank\" rel=\"noopener\">Archive Bereft of Words<\/a>,&#8221; by Ching-In Chen.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>IAS faculty members <a href=\"\/ias\/faculty-and-staff\/amaranth-borsuk\">Amaranth Borsuk<\/a> and <a href=\"\/ias\/faculty-and-staff\/ching-in-chen\">Ching-In Chen<\/a> each have new work in <em>Interim<\/em>: <em>A Journal of Poetry &amp; Poetics <\/em>38.4, a special issue guest edited by Ronaldo V. Wilson. Of the issue, <em><a href=\"https:\/\/www.interimpoetics.org\/384\/\" target=\"_blank\" rel=\"noopener\">Black 足彩app哪个是正规的 [Or] Y: Praxis, Sum Unknown<\/a>, <\/em>Wilson writes:<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_is_archived":false,"_archived_contact_email":"","footnotes":""},"categories":[3,6],"tags":[],"school":[],"class_list":["post-21385","post","type-post","status-publish","format-standard","hentry","category-creative-writing-and-poetics","category-research-and-creative-practice"],"acf":{"related_links":{"toggle_visibility":false,"link_1":"","link_2":"","link_3":"","link_4":"","link_5":""},"highlight_box":{"toggle_visibility":false,"title":"","content":"","button":"","button_style":"angled-purple-button","button_screen_reader_text":""},"contact_type_1":{"toggle_visibility":true,"contact_title":"Contact Type","email":"sample@uwb.edu","phone":"(206) 999-9999","box":"Box 358500","address_line_1":"18115 Campus Way NE","address_line_2":"Bothell, WA 98011-8246","location":""},"contact_type_2":{"toggle_visibility":false,"contact_title":"","email":"","phone":"","box":"","address_line_1":"","address_line_2":"","location":""},"social_media":{"toggle_visibility":false,"facebook_url":"","instagram_url":"","linkedin_url":"","twitter_url":"","youtube_url":""},"blog_archive_sidebar_visibility":false},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Amaranth Borsuk and Ching-In Chen publish new work in Interim - School of Interdisciplinary Arts &amp; Sciences<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.uwb.edu\/ias\/news\/2022\/01\/04\/borsuk-and-chen\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Amaranth Borsuk and Ching-In Chen publish new work in Interim - School of Interdisciplinary Arts &amp; Sciences\" \/>\n<meta property=\"og:description\" content=\"IAS faculty members Amaranth Borsuk and Ching-In Chen each have new work in Interim: A Journal of Poetry &amp; Poetics 38.4, a special issue guest edited by Ronaldo V. 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