{"id":16314,"date":"2019-11-25T09:41:27","date_gmt":"2019-11-25T09:41:27","guid":{"rendered":"http:\/\/www.uwb.edu\/?p=16314"},"modified":"2024-04-11T10:01:12","modified_gmt":"2024-04-11T17:01:12","slug":"abra-codex","status":"publish","type":"post","link":"https:\/\/www.uwb.edu\/ias\/news\/2019\/11\/25\/abra-codex","title":{"rendered":"Amaranth Borsuk publishes in special issue of Enculturation: A Journal of Rhetoric, Writing, and Culture"},"content":{"rendered":"\n<p>IAS faculty member <a href=\"\/ias\/faculty-and-staff\/amaranth-borsuk\">Amaranth Borsuk<\/a> has a longstanding practice of making her digital works open-source and available for modification. This month, she opened up her collaborative project Abra: A Living Text for a special issue of <a href=\"http:\/\/enculturation.net\/29\" target=\"_blank\" rel=\"noopener\">Enculturation<\/a> edited by Helen Burgess (North Carolina State University) and Roger Whitson (Washington State University). 足彩app哪个是正规的 issue, &#8220;Critical Making and Executable Kits&#8221; features scholars open sourcing digital humanities projects with a material component. In the words of the editors, these are experiments in \u201cexecutable culture&#8221;: that is \u201ccultural objects that can be shared widely and downloaded for execution (building \/ rebuilding) as physical objects at the other end of the network.\u201d 足彩app哪个是正规的 included works emphasize the making process as integral to knowledge-building. Borsuk&#8217;s kit, &#8220;<a href=\"http:\/\/enculturation.net\/足彩app哪个是正规的_Abra_Codex\" target=\"_blank\" rel=\"noopener\">足彩app哪个是正规的 Abra Codex<\/a>,&#8221; guides readers in the process of printing, laser-cutting, and binding a limited-edition artist&#8217;s book that can be paired with the free app Abra: A Living Text she created with Kate Durbin and Ian Hatcher. In the words of the editors:<\/p>\n\n\n\n<p>&#8220;Consisting of a limited-edition handmade book and an iOS app, 足彩app哪个是正规的 Abra Codex uses touchscreens and animation to test the haptic dimensions of book history. [&#8230;] By moving from the material of the book to the screen of the smartphone application, Borsuk encourages reading as a participatory act of transforming the materiality of the book with our hands.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>IAS faculty member <a href=\"\/ias\/faculty-and-staff\/amaranth-borsuk\">Amaranth Borsuk<\/a> has a longstanding practice of making her digital works open-source and available for modification. This month, she opened up her collaborative project <em>Abra: A Living Text<\/em> for a special issue of <em><a href=\"http:\/\/enculturation.net\/29\" target=\"_blank\" rel=\"noopener\">Enculturation<\/a> <\/em>edited by Helen Burgess (North Carolina State University) and Roger Whitson (Washington State University). 足彩app哪个是正规的 issue, &quot;Critical Making and Executable Kits&quot; features scholars open sourcing digital humanities projects with &#8230;<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_is_archived":false,"_archived_contact_email":"","footnotes":""},"categories":[3,6],"tags":[5],"school":[],"class_list":["post-16314","post","type-post","status-publish","format-standard","hentry","category-creative-writing-and-poetics","category-research-and-creative-practice","tag-borsuk"],"acf":{"related_links":{"toggle_visibility":false,"link_1":"","link_2":"","link_3":"","link_4":"","link_5":""},"highlight_box":{"toggle_visibility":false,"title":"","content":"","button":"","button_style":"angled-purple-button","button_screen_reader_text":""},"contact_type_1":{"toggle_visibility":true,"contact_title":"Contact Type","email":"sample@uwb.edu","phone":"(206) 999-9999","box":"Box 358500","address_line_1":"18115 Campus Way NE","address_line_2":"Bothell, WA 98011-8246","location":""},"contact_type_2":{"toggle_visibility":false,"contact_title":"","email":"","phone":"","box":"","address_line_1":"","address_line_2":"","location":""},"social_media":{"toggle_visibility":false,"facebook_url":"","instagram_url":"","linkedin_url":"","twitter_url":"","youtube_url":""},"blog_archive_sidebar_visibility":false},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Amaranth Borsuk publishes in special issue of Enculturation: A Journal of Rhetoric, Writing, and Culture - School of Interdisciplinary Arts &amp; Sciences<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.uwb.edu\/ias\/news\/2019\/11\/25\/abra-codex\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Amaranth Borsuk publishes in special issue of Enculturation: A Journal of Rhetoric, Writing, and Culture - School of Interdisciplinary Arts &amp; Sciences\" \/>\n<meta property=\"og:description\" content=\"IAS faculty member Amaranth Borsuk has a longstanding practice of making her digital works open-source and available for modification. 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