{"id":6371,"date":"2014-10-21T09:30:27","date_gmt":"2014-10-21T09:30:27","guid":{"rendered":"http:\/\/www.uwb.edu\/?p=6371"},"modified":"2026-04-10T18:42:11","modified_gmt":"2026-04-11T01:42:11","slug":"faculty","status":"publish","type":"page","link":"https:\/\/www.uwb.edu\/ias\/graduate\/mfa\/people\/faculty","title":{"rendered":"Faculty"},"content":{"rendered":"\n

On this Page:<\/strong> Director<\/a> | Faculty<\/a> | Affiliate Instructors<\/a> | Former Faculty<\/a><\/p>\n\n\n\n

Director<\/h1>\n\n\n\n
\n
\n
\"Joe<\/figure>\n<\/div>\n\n\n\n
\n

Joe Milutis<\/h2>\n\n\n\n
\n
Faculty webpage<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

Joe Milutis, Associate Professor, is a writer and media artist. He is the author of Failure, A Writer\u2019s Life<\/i>; Ether: 足彩app哪个是正规的 Nothing That Connects Everything<\/i>, and \u201cBright Arrogance,\u201d a column on experimental translation in Jacket 2 <\/i>as well as numerous chapbooks, media-literary hybrid works, videos and sound pieces. His work has appeared in Fence<\/i>, Gauss PDF<\/i>, Cabinet<\/i>, Tripple Canopy<\/i>, Leonardo <\/i>and Film Comment<\/i>.<\/p>\n<\/div>\n<\/div>\n\n\n\n

Faculty<\/h1>\n\n\n\n
<\/div>\n\n\n\n
\n
\n
\"Amaranth<\/figure>\n<\/div>\n\n\n\n
\n

Amaranth Borsuk<\/h2>\n\n\n\n
\n
Faculty webpage<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

Amaranth Borsuk, Associate Professor, is the author of the poetry collections Pomegranate Eater <\/i>and Handiwork<\/i>. She works at the intersection of print and digital media with an emphasis on artists\u2019 books, installation and digital\/ print hybrids. Her collaborative books include Abra<\/i>, an artist\u2019s book and iOS app created with Kate Durbin and Ian Hatcher; As We Know<\/i>, an erasure collaboration with Andy Fitch; and Between Page and Screen<\/i>, a book of augmented-reality poems, created with Brad Bouse. Her recently published volume 足彩app哪个是正规的 Book<\/i>, from MIT Press, traces the interrelationship of form and content in the book\u2019s development, bridging book history, book arts, and electronic literature to expand our definition of an object we thought we knew intimately.<\/p>\n\n\n\n

Recommended reading<\/h3>\n\n\n\n